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Appointment Procedures

Appointment documentation

Church Music Dublin strongly recommends that current best practice in the community, voluntary and charities sector should be followed when appointing to the position of organist / choir director and in regard to remuneration.

The Charities Act, 2009 is now in force and, as a consequence, parish clergy and other members of church governing committees are deemed to be ‘charity trustees’. This brings with it a responsibility to operate in accord with contemporary standards of governance and transparency; and to comply with statutory and revenue requirements.

The position should be publicly advertised. This usually will be done through the media of church magazines, schools of music, organ teachers and the local community. While the cost of display advertisements in the national press is prohibitive, parishes should consider placing ‘lineage’ advertisements in the Situations Vacant column. If, following the stated closing date, no appointment is made, it is good practice to re-advertise publicly, while the search for a musician continues.

The person appointed should be given an employment contract or a letter of appointment. Organists and choir directors should request such documentation, which usually will cover most of the following matters, and maybe other items:

● Date of commencement
● Person to whom the musician reports (In the case of Church of Ireland and Roman Catholic parishes, this always is the rector / priest-in-charge / parish priest)
● Responsibilities – number of services and choir rehearsals and related matters
● Basic remuneration
● Remuneration for additional duties
● Annual leave
● Sick leave
● Maternity/paternity leave
● Arrangements for periodic review of remuneration
● Arrangement re fees for weddings and funeral services
● Arrangements re deputy organists


Is a parish church musician employed or self-employed?

Clergy and select vestries should consider and look into this question very carefully.  The employment status of a paid worker depends on, amongst other tests and criteria, what they actually do, the way they do it, the extent to which they report to or are under the control of another person or persons, the extent to which they are seen as part and parcel of the organisation, and the terms and conditions under which they are engaged.  It is not simply a matter of a worker or their employer calling the job ’employed’ or ‘self-employed’.

The Revenue Commissioners, in conjunction with the ICTU and employer bodies, publish very helpful Employment Status Guidelines and a code of practice (click for link).

An article in the September 2017 issue of the RSCM’s Church Music Quarterly examines the law in this matter, pointing out that ‘contrary to popular opinion’ the status (i.e. employed or self-employed) of the relationship between the church and the organist is determined not by the written contract but by the facts. And further that ‘applying tests (see above) to the average church musician’s situation usually indicates employment, or what in law is known as a “master and servant relationship”‘. Copies of the article are available from Church Music Dublin. 

The law in Ireland on these matters is very similar to that in the UK. 

Church Music Dublin has consulted professionals, who have advised that a church musician who has been appointed is an employee on a contract of service (even if not explicitly stated) and, consequently, that their remuneration lies within the ambit of Section 112 of the Taxes Consolidation Act, 1997. Income tax is chargeable on such remuneration, which places an obligation on the parish to apply PAYE on all payments.  Failure to do so could open the parish to potential exposure should it be decided by the Revenue at some point in the future that PAYE ought to have been operated.




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